Discusses knowledge generation such as new discoveries; knowledge manifestation as exemplified by various types of outputs (exhibitions, performance, etc), embodied knowledge and the nature and authority of the knowledge claims that are inextricably linked to practice-based research.
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Creative Writing
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McIntyre, Elizabeth. Facilitating the Script: creative research in practice. |
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Neilsen, Philip. Digital Storytelling as Life-Writing: self-construction, therapeutic effect, textual analysis leading to an enabling 'aesthetic' for the community voice. |
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Taylor, Andrew. Research as a Dialectical Activity: writing a long poem in Rome.
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New Media & Screen Based Art |
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Barker, Chris. The Changing Nature of Practice in a 'Networked Society'. |
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Holmes, Ashley. Reconciling experimentum and experientia: ontology for reflective practice research in new media. |
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Kerrigan, Susan. Reflecting on Documentary Video Practice. |
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Leggatt, Mike. Meta-Design Approaches to Indexing Digital Media. |
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Tarrant, Patrick. Home Made: new media in the home mode. |
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Visual Arts & Architecture
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Barrett, Estelle. Creative Arts Practice, Creative Industries: method and process as cultural capital.
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Bolt, Barbara. A Non Standard Deviation: handlability, praxical knowledge and practice led research. |
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Brown, Neil. Paradox and Imputation in the Explanation of Practical Innovation in Design. |
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Grierson, Elizabeth. Where the Creative Arts Lie with Our Humanity? and What the Creative Arts Do for Our Society?: creative practice-based research in the culture of performance and accountability. |
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Keane, Jondi. Practice-as-Research and the 'Realisation of Living'. |
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McIntyre, Philip. Creative Practice as Research: "testing out" the systems model of creativity through practitioner based enquiry.
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McLaughlin, Sally. Valuing Insight and Judgement: a hermeneutic perspective on the development of validating contexts for practice-based research in design. |
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Stewart, Robyn. Smart Art: the mindful practitioner - researcher as knowledge worker. |
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Music |
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Chapman, Jim. The Creative Practice of Composition in a Cross-Cultural Musical Setting. |
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Hannan, Michael. Interrogating Comprovisation as Practice-Led Research. |
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Performance & theatre |
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Jones, Lyndal. An Archive for the Web From The Darwin Translations. A Series of Eight Art Installations (1994 - 2000): on the use of propositions. |
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Philips, Maggie. Falling into Value: musings on the gravity of performance as research.
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Richards, Alison. Performance, Paradox and Possibility: perversity as method in practice research. |
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Sky, Hellen. Liquid Paper 1 - Making Light of Gravity (embodiment in intelligent camera-based technology systems). |
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